#Kithara dos enabler professional

The most important implications on the tone a bench-shaped bridge would make, is that the vibration of the strings on the wider bridge top would buzz, unlike the clean, harp/guitar-like tone an 'A' shaped bridge produces. I have recently become interested in the little-discussed topic of the various shapes of lyre bridges that were used in antiquity, as the shape of the bridge has profound implications on the tone the lyre - many ancient illustrations of lyre bridges seem to depict a flat, bench-like bridge, rather than the 'A' shaped bridge which is generally used on most attempts at making replica lyres in modern times.

THE INCREDIBLY ADVANCED KITHARA OF ANCIENT ROMEР”Р„ fascinating potential new musical discovery from a detailed painting of a Roman kithara found in Herculaneum, which initially, seems to amazingly show the 1st century CE equivalent of a pitch-bending 'whammy bar' of our modern Fender Stratocaster Guitar.Р”Р‡irstly, some background. The general result of my investigations, reveals that since these instruments are so far away from our present experience, even with all the evidence presented, in order to try and actually interpret this evidence, all we really have, are good old fashioned argument and counterargument!

#Kithara dos enabler professional

In this section, I will examine the growing body of circumstantial evidence, in the form of almost countless ancient illustrations, which suggest that both the ancient Greek and Roman versions of the kithara (the larger wooden lyres favoured by the professional musicians of Classical antiquity and from which word we actually derive the word 'guitar') had an incredibly advanced vibrato mechanism - some 2500 years before the advent of the 'whammy bar' of the modern electric guitar!Р”Р„lso, I will examine evidence to suggest that the Roman version of the kithara (known in Latin as the cetra) may have had the first metal musical strings, the first 'true' friction pegs, double courses of strings like a mandolin and the first tuning lever mechanism, some 1700 years before tuning levers were 'reinvented' during the development of the modern concert harp. THE ADVANCED KITHARA OF ANCIENT GREECE AND ROME